Effective Sensor Size
50.81 mm x 23.32 mm (65mm Format)
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INQUIRIES
- Description
- Camera Features
- Media
- Supported Codecs
- Control
- Streaming
- Storage Features
- Software
- Shipping details
- Reviews
Description
Blackmagic URSA Cine 17K 65 is a revolution in digital film with an extremely large format 17520 x 8040 65mm RGBW sensor with larger photo-sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen and industry standard Lemo and Fischer connections. Blackmagic URSA Cine 17K 65 comes with a massive 8TB of removable high performance media storage built in and also includes high speed 10G Ethernet, WiFi for fast media upload and syncing to Blackmagic Cloud and URSA Cine EVF!
Camera Features
Pixel Pitch
2.9 microns
Lens Mount
PL mount. Interchangeable with URSA Cine Mount LPL included.
Lens Control
Lens data from compatible PL or LPL lenses and control of some PL lenses. Lens control of compatible EF lenses.
Dynamic Range
16 Stops
Shooting Formats
17,520 x 8040 (17K 2.2:1 open gate)
16,128 x 8040 (17K 2:1)
15,360 x 8040 (17K 17:9)
14,304 x 8040 (17K 16:9)
17,520 x 7296 (17K 2.4:1)
12,288 x 8040 (12K 3:2)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
11,680 x 5360 (8K 2.2:1 open gate)
10,752 x 5360 (8K 2:1 full height)
8192 x 5360 (8K 3:2)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
5840 x 2680 (4K 2.2:1 open gate)
5376 x 2680 (4K 2:1 full height)
4096 x 2680 (4K 3:2)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
Frame Rates
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
High Speed Frame Rates
17K 2.2:1 open gate up to 60 fps
12K 2.4:1 up to 90fps
8K 2.2:1 open gate up to 100 fps
8K 2.4:1 up to 170 fps
Built in ND Filters
None
Focus
Focus button turns on peaking, auto focus available using compatible lenses.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Screens
2 x Monitoring Screens
1 x Camera Status Screen
1 x Electronic Viewfinder
Monitoring Screen Dimensions
5 inch.
Monitoring Screen Resolution
1920px x 1080px
Monitoring Screen Brightness
1500 nits.
Monitoring Screen Type
LCD capacitive touchscreen
EVF Display Resolution
Full 1920 x 1080.
6.22 Million dots
EVF Display Type
OLED
EVF Diopter Range
-5 to +5
Tally
Live Tally Indicator on LCD, and URSA Cine EVF.
Metadata Support
Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF and Hasselblad HC lenses when using optional EF lens mount or HC lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls
Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on URSA Cine EVF.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
Total Video Outputs
2
SDI Rates
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack
Reference Inputs
Tri-Sync/Black Burst and Timecode.
Viewfinder
1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor.
USB-C Monitor Outputs
2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.
URSA Cine EVF
1 x USB-C with power, data, video and locking connector.
Accessories
1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop.
1 x 3-pin Fischer ‘RS’ for power out and run/stop.
Computer Interface
2 x USB-C side expansion ports for camera accessories.
Software updates using side USB-C closer to rear.
Ethernet
1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE-T for SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
Audio
Microphone
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
Standards
SD Video Standards
None
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
Media
Media
1 x Blackmagic Media Module.
Media Format
Blackmagic
Supported Codecs
Codecs
Blackmagic RAW Constant Bitrate 3:1
Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Bitrate 18:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Control
External Control
Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.
Streaming
Direct Streaming
Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.
Network Management
NTP
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
FTP
Download files from any drive attached to your camera using FTP.
Web Media Manager
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
SMB
File sharing using SMB
Storage Features
Storage Type
1 x Blackmagic Media Module 8TB
Storage Rates
Storage rates based on 24 frames per second.
17K - 17,520 x 8,040
Blackmagic RAW 3:1 - 1,700 MB/s
Blackmagic RAW 8:1 - 638 MB/s
Blackmagic RAW 12:1 - 425 MB/s
Blackmagic RAW 18:1 - 284 MB/s
Blackmagic RAW Q0 - 567 to 2,040 MB/s
Blackmagic RAW Q1 - 464 to 1,134 MB/s
Blackmagic RAW Q3 - 255 to 638 MB/s
Blackmagic RAW Q5 - 170 to 510 MB/s
12K - 12,288 x 8040
Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 299 MB/s
Blackmagic RAW 18:1 - 199 MB/s
Blackmagic RAW Q0 - 398 to 1,433 MB/s
Blackmagic RAW Q1 - 326 to 796 MB/s
Blackmagic RAW Q3 - 179 to 448 MB/s
Blackmagic RAW Q5 - 120 to 358 MB/s
8K - 8192 x 5360
Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 320 to 639 MB/s
Blackmagic RAW Q1 - 228 to 533 MB/s
Blackmagic RAW Q3 - 133 to 400 MB/s
Blackmagic RAW Q5 - 100 to 266 MB/s
4K - 4096 x 2680
Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 202 to 336 MB/s
Blackmagic RAW Q1 - 135 to 311 MB/s
Blackmagic RAW Q3 - 101 to 238 MB/s
Blackmagic RAW Q5 - 81 to 202 MB/s
Recording Formats
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
[17,520 x 8,040], [16,128 x 8,040], [15,360 x 8,040], [14,304 x 8,040] and [17,520 x 7,296]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[11,680 x 5,360], [10,752 x 5,360], [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[5,840 x 2,680], [5,376 x 2,680], [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Constant Quality Rates for 17K and 12K are: Q0 9:1 - 2.5:1, Q1 11:1 - 4.5:1, Q3 20:1 - 8:1, Q5 30:1 - 10:1
Constant Quality Rates for 8K are: Q0 5:1 ‑ 2.5:1, Q1 7:1 ‑ 3:1, Q3 12:1 ‑ 4:1, Q5 16:1 ‑ 6:1
Constant Quality Rates for 4K are: Q0 2:1 ‑ 1.2:1, Q1 3:1 ‑ 1.3:1, Q3 4:1 ‑ 1.7:1, Q5 5:1 ‑ 2:1
Actual storage rates are dependent on image subject matter.
Software
Software Included
URSA Cine Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Shipping details
Our couriers will try to get your order delivered the day after your order is placed with us. The cut-off time for next day delivery is one pm on that day.
It is the customer's responsibility to ensure someone is available to sign for receipt of the goods at the delivery address provided. If our courier is unable to deliver for any reason, you may be invoiced for the attempted/failed delivery backcharge. Please double check your address is correct. Thank you.
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